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The new Saved by the Bell was pretty good, too - certainly better than a lot of critics expected it to be. But the rebooted One Day at a Time was great, and it met that desire to broaden the world you saw in the original, incorporating not only a Latinx family, but a queer teenager and her nonbinary significant other. Around the same time as Gossip Girl, there was even a reboot of Beverly Hills, 90210, one of GG's spiritual ancestors, which lasted for several seasons, but lacked GG's impact.
This is certainly not the first effort, nor will it be the last, to port an old property into a generationally different setting, and the record of success and failure is spotty and unpredictable. The original Gossip Girl had a lot going for it for the audience it reached, but it was very white and very straight, which is blessedly not what television aimed at younger viewers looks like anymore. It was quintessentially millennial good trash.Īnd now, HBO Max - which also has all six seasons of the original GG - has undertaken a sequel, a Gen-Z sequel, defined in part by some laudable intentions. It made stars out of Blake Lively and Penn Badgley, among others. Gossip Girl was of its time: a plunge into a world of rich New York high school students in the early days of social media - it debuted the same year as the iPhone, and its hook was a blog (a blog!) written by the titular and anonymous "Gossip Girl" that tracked and reported on the goings-on among the high-status Blair, Serena, Dan, Nate, Chuck, and their aspirational hangers-on and detractors. It was saying: Join us, won't you? For we are the good trash.
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When the CW released a series of ads before Gossip Girl's second season in 2008 that showed people in various passionate embraces and gleefully highlighted press blurbs of the show as "a nasty piece of work," "every parent's nightmare," and "mind-blowingly inappropriate," the network was saying one very simple thing. The good trash is not mean, it is not pretentious, and it does not put on airs. It has an internal logic: wrongs are avenged, parties are disrupted, beautiful consenting adults rarely close the door on the possibility of having sex with each other, meanies can have a change of heart if they're really loved, and it only rains when people need to get stuck indoors to dry off naked. It is untethered from boring realities about Carrie Bradshaw's rent, but recognizably based in human frailties like Carrie Bradshaw's inability to pick a good boyfriend over a bad one.
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The good trash is scandalous, full of panache, eminently watchable, and light as a feather. It's harder to make than it looks, the good trash.
Watch The Greenest Book above, and the entire Showtime premiere below.Jordan Alexander, Thomas Doherty, Evan Mock and Emily Alyn Lind in HBO Max's Gossip Girl.
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It’s also the only Oscar movie to be denounced by “literally every black person” (“What is wrong with you people? Please leave us alone”) if only for the fried-chicken scene alone. You know it’s good because the clip begins with the eternal movie cliché, “You know, we’re not so different, you and me.” Also, like Green Book, The Greenest Book is the story of a white man, a self-proclaimed “walking, talking calzone,” who had the courage to know a black person. (“The following film has been rated WG for White Guilt.”) After playing the incredible clip of sports-talk radio god Mike Francesa calling Green Book “the best movie I saw this year,” Desus and Mero shared their spoof of the film, called The Greenest Book. Green Book is up for five Academy Awards, including Best Picture, Best Actor, Best Supporting Actor, and Best Original Screenplay, despite it being “ Friday with racism,” as Desus described it. The debut episode of Desus & Mero, Desus Nice and the Kid Mero’s new Showtime series, got off to a sparkling start, with the two hosts landing a high-profile guest, congresswoman (and Bronx native) Alexandria Ocasio-Cortez, and accurately spoofing one of the most-nominated movies at this year’s Oscars.
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